A Closer Look at Buildings

A project by project account of Hope for Architecture's progress since 2012 inception

HFA1 Adams Cottage — 2012  

Columbus, Georgia:  The Adams project provided the first opportunity to field-test our concept, and marked the beginning of the Hope for Architecture Initiative.  The general response and support received during construction was substantial.  It opened our eyes to a shared concern for the future of vernacular architecture in America.  We partnered with Clemson University's 'National Brick Research Center' for an on-site thermal mass study.  The study revealed significantly better performance than standard energy modeling provides, and we attribute this to an R-biased industry.  A great deal was gleaned in Columbus, and clearly defined our purpose and path:  scaling modern, mass wall building alternatives that compete with disposable building while providing multi-century life-cycle.

 

HFA2 Brennan House — 2013                          

Decatur, Georgia:  A design/build contract was signed for the Brennan House before HFA1 was completed.  In the late 90's, entrepreneur Marc Brennan began playing a critical role in the revitalization of Oakhurst Village—a post war, working class neighborhood just outside Atlanta.  The Brennan's penchant for walkable destinations and urban reclamation made them perfect candidates for the next step.  Several months of research were required to compile a 90 page permit submittal for HFA's experimental model.  This was an important time for establishing precedence under the jurisdiction of an urban building municipality following a conservative energy code. During this period, we charted a path for permitting mass-wall-construction in the modern context. Much was achieved working with the Brennan's and building in Decatur's Oakhurst village, but an important milestone stands out: urban precedence for an alternative building solution utilizing mass-wall construction.

 

HFA3 Wallingford House — 2014      

Carlton Landing, Oklahoma:  After being approached by New Urbanist Town Founder Grant Humphreys, we relocated the HFA operation to Carlton Landing, Oklahoma.  Freedom to innovate motivated this decision; the ability to get concepts out of idea land, and provide tangible examples for progressive cities to reference while rethinking code policy.  HFA3 was our first project at the DPZ masterplanned community.  The two-story, Charleston inspired spec sold before completion to Jim and Chelsi Wallingford.  Several critical techniques were defined during this build that significantly streamlined production and now help define HFA process.

 

HFA4 Dollins Cottage — 2015           

Carlton Landing, Oklahoma: A design/build contract was signed for the Dollins Cottage before HFA2 was completed.  We utilized salvaged brick for the first time with this project (from roughly 150 miles away).  The techniques innovated during the construction of HFA3 were more systematically realized with HFA4.  The Dollins design was a return to steep gabled massing so defining of the HFA aesthetic.  The wrapping timber frame porch introduced a simple but wonderfully effective refinement. Without stifling the economy of conditioned spaces, the outdoor space establishes the dwelling's personality while delivering an important and inviting functionality.     

 

HFA5 Artist Cottage — 2016              

Carlton Landing, Oklahoma: Salida, Colorado is a small Rocky Mountain town with an impressive masonry tradition. While consulting there for an HFA inspired project, I was pleasantly surprised by the number of long standing, mass-wall buildings. But I was especially inspired by the modest scale of several small, solid masonry structures.  Soon after returning to Oklahoma, we sub-developed two large lots into eight small ones, and The Borough pocket neighborhood was off and running.  HFA5 was the first cottage to be built, and a contingent of novice students from the Notre Dame School of Architecture raised the masonry super structure for this 700 square foot small house in 14 days.

 

HFA6 Tudor Cottage — 2016             

Carlton Landing, Oklahoma: The Tudor plan expands the massing of the Artist Cottage from  700 to 1200+ square feet.  There are additional sleeping lofts in both plans not included in the square footage approximations. This is part of a 'smart-volume' approach to design that utilized much of the wasted space involved with the standard 'square footage value metric'— "Small like a yacht not like a shack," as Steve Mouzon likes to say.  Three versions of this design visually anchor the overall composition of the pocket neighborhood. With The Borough, we introduced full depth, lugged granite window sills to our building regiment taking our commitment to lifecycle much further.  When structural walls fail, the problem more often than not lies with faulty window sill material that allows water to chronically access the depths of the massing.

 

HFA7 Woodland Chapel — 2017                                

Monastery of the Holy Spirit — Conyers, Georgia: Several years before the inception of Hope for Architecture,  I submitted a chapel design to the Monastery of the Holy Spirit just outside Atlanta.  Several firms were being considered for the project, and it wasn't until relocating to Oklahoma that we received news that our design had been selected—6 years later. Nevertheless, an opportunity to serve under the auspice of Architecture's greatest patron doesn't happen everyday.  The Trappists Monk order holds some 2000 acres of field and forrest, providing one of the most remarkable settings for built expression imaginable.